Ilsabé von Dallwitz was born in 1945. She used to

teach languages, dance and art. At the same time,

her main interest was focused on photography and

the arrangement of images.

Ilsabé von Dallwitz works present images that thrive

on completely divergent manners of seeing. The artist’s

great enthusiasm for the aethetic, charm and expressive

power of nature and architecture is the source of an

unmistakable fascination which she, in turn, strives to

share with the viewer. In digital photography she seems

to have found the ideal medium for combining the natural

with the artificial as well as elements of the traditional

photography with the possibilities available in digital

techniques and thereby captivates the viewer.

Each of her DIGITAL-ART-works works is stunning in its unique charm and character, while

the ultimate effect of all of them must be atttributed to the breath-taking interaction of light,

color and their intense luminosity. The artist predominantly occupies herself with landscape, architecture and macrophotography. Extensive sojourns and stays in Europe, the USA and

Asia are continually providing new impulses and exciting motifs.

What might appear on first sight to be an image far removed from reality, proves, on closer inspection, as being ingeniously arranged. This gives way to an incomparably vast range of computer-generated motifs. Oriented on the concept of synaesthetics, primarily developed by Kandinsky, the artist seeks new kinds of perception and creation. That implies a free play with various meanings and contents that touch upon the field of abstraction. The focus lies on the fruitful interaction between impulses from photos and computer and the visual interpretation of our modern life experience.

„My works are based on digital photos that have a very special meaning to me. Not every photo is suitable for my work. The selection of an appropriate motif is carried by memories of moods, light and colour. By this almost impressionist approach I, despite all interpretations and changing, preserve the atmosphere and the light of the original.“

Her works are based on digital photographies, which are transformed on computer and

developed as Lambdaprint. The photos are covered with acrylic and mounted in shadow

frames. Most of her works are sold as originals, from time to time small editions are published.